Course for TV Returners on Nov 26th 2011
Hannah Smiles is a London-based freelance photographer who recently shot the Endemol Meets Media Parents event. Hannah is an events photographer covering conferences and parties in and around London, and specialises in men’s fashion and portraiture. Hannah can be found in the NETWORK section of www.mediaparents.co.uk
Self-taught, Hannah has been taking photographs for five years and has worked for a variety of clients, including, Jaguar Magazine, Redwood Publishing, Royal Mail, InLondon magazine, Pepsico and De Beers.
Here are some thoughts gleaned from more than a year’s work on www.mediaparents.co.uk on how to be a working parent in TV.
If you don’t ask – you won’t get, but what have you got to lose? Ask for flexible work that suits you and your family – but come with a strategy. Flexible working is often MORE attractive if an employer can’t afford a full time employee.
If you’re asking for flexible working come up with a plan, and pick your project.
Helen Veale, Outline : Be proactive about it. Come with a strategy that works for us both – tell me how you will be able to deliver what the production needs in the way that works for your family responsibilities.
Present yourself as half of a job share – you can find people to job share with, and indicate that you’d jobs share on Media Parents.
Pick your project – don’t ask for flexible work on a new series – ask for it on long running series which has a well-oiled schedule in place.
Do ask for a schedule (in advance of an interview if you can) and explain how you could manage your time. Freelance Series Producer Suzie Marsh has successfully done this with companies she has never worked with before.
It’s possible to jobs share in creative and production roles – Media Parents Director Amy Walker has jobs shared as a PD with Media Parents PD Laura Leigh – it’s all about communication – contact us through the Media Parents network and ask us how. It’s about communication, trust, talking about working practices, looking at footage or getting into the edit early if you can and constantly communicating.
The Heads of Production at Hat Trick job share. Laura Djanogly & Jessica Sharkey had worked together before job sharing and felt that two brains and two sets of experience were better than one.:
“It’s not my job, it’s our job”. They have only one email inbox, as they both believe they have to be “one person” to lessen impact on others. They didn’t want anyone to have to repeat themselves, and believe things have to continue to move forwards. Handover notes are crucial and can be onerous, but serve as a good log and checklist.
Naomi Carter Head of Production at Mentorn spoke up for part time PMs and part time PDs at one of our meetings. You can look at many of the companies who support flexible working on the Media Parents website here http://www.mediaparents.co.uk/employers/ and contact them through our network http://www.mediaparents.co.uk/network/ with your proposals for making it work for you.
Work out who’s in your network, create an action plan, and a date by which you’ll implement it.
Get out of the house. Media Parents often runs events where you can bring your baby!!
Network from home. Use online networking – media parents, facebook, linked in, twitter – you can do it all from home – and it works.
Have a plan – work out who would be useful for you to know, make contact with them and keep in contact without being overpowering.
Suggest a coffee with people you have worked with to get back into the saddle. If all the people you know at a company have moved on, seeing that company’s productions on your CV will still help you – just try them.
Target your CV – contact companies who make programmes that are relevant to your experience.
Use a job-specific CV and covering letter.
Sell yourself!
Don’t leave the dates off your CV, show that you’ve learnt skills in the gaps: volunteer work, local community work, book keeping, written a blog / book etc.
Keep your CV to 2 pages with the most relevant experience at the top of the first page – don’t take the credits off, name the shows, no matter how old they are.
Write to companies on media parents and present them with a solution.
If you want to job share suggest someone / a few people, include their CVs too and outline how it could work.
Ask for a schedule ahead of the interview then structure a plan as to how you could deliver if you worked part time / condensed hours etc.
DON’T GIVE UP – use the Media Parents site and events to network with people in a similar position.
Feel free to email us through the Media Parents site with questions.
We are running a session on Monday October 17th at C4 called “How Do I….Get That All Important Break?”
There will be 3 panel discussions with insiders’ tips on how toprogress up the TV career ladder. It’s for those looking to move upto: PD, SP & HOP level.
We have a few spaces left for this. Please do let me know if you haveany takers.
We are running weekly How Do I? sessions at C4 throughout October andNovember. Workshops cover negotiation skills, management/leadershipskills, pitching and presenting, interview skills, CVworkshops….to name a few.
There are still spaces for these workshops….and people can checkthem and and apply at:
http://4talent.channel4.com/extra/hdi0
Many thanks to all of the Execs from the Endemol companies who met talent from Media Parents this evening. Here are some photos by Rosie Bowen-Jones, more by Hannah Smiles to follow. To network with Media Parents please go to www.mediaparents.co.uk
On Tuesday 11th October, Endemol, Darlow Smithson, Remarkable, Initial etc will open their doors to Media Parents talent. Here are some of the Execs and Talent Managers from Endemol who will be attending:
Tim Hincks is Chief Executive officer of Endemol UK. Endemol UK is one of the largest independent production companies in Britain and annually produces over 2,000 hours of output. It incorporates a number of production brands including – Remarkable Television, Intial and Zeppotron.Credits include BBC One’s new hit series Total Wipeout, popular factual entertainment series Supersize vs Superskinny (Channel 4); Gok’s Fashion Fix (Channel 4); Coleen’s Real Women (ITV2); and The Sex Education Show (Channel 4) horror series Dead Set (E4, Channel 4); hit game shows Deal Or No Deal (Channel 4); Golden Balls (ITV1) and 1 vs100 (BBC One); reality blockbuster Big Brother (Channel 4; E4); and comedy series 8 Out of 10 Cats (Channel 4); Would I Lie to You? (BBC One); and Charlie Brooker’s Screenwipe (BBC Four; BBC Two)
Tim began his television career in 1990 when he divided his time between producing BBC Two’s Food and Drink programme for Bazal (now a part of Remarkable Television) and working on current affairs programmes such as Newsnight and BBC Westminster.Tim became Creative Director of Endemol UK in 2002 and stepped up to become Chief Creative Officer in January 2005. He was appointed Chief Executive Officer in January 2008.Tim sits on the Endemol International board; He is also the Executive Chair of Media Guardian Edinburgh International Television Festival.
Bella Lambourne originally joined Endemol UK in 1993 and took responsibility as group Head of Human Resources in 1997. Bella was promoted to Human Resources Director for Endemol UK in 2002 and working with the Director of Operations also oversees the administrative functions of the group.In addition to her UK role, Bella was promoted to Global Head of Human Resources at Endemol Group in March 2011.Bella is a member of PACT Council, chair of the PACT Diversity Committee and she also sits on the Industrial Relations Committee.
Colette Foster joined Endemol UK in 2007 to executive produce Channel 4’s hit factual entertainment series Supersize vs Superskinny (Channel 4). She went on to oversee production on the company’s immensely popular run of features series including Gok’s Fashion Fix (Channel 4); The Sex Education Show (Channel 4) and Extreme Male Beauty (Channel 4).As Joint Managing Director of Remarkable Television, Colette continues to executive produce series as well as developing and overseeing many other factual programmes.
Prior to joining Endemol UK, Colette was behind some of the UK’s most popular and groundbreaking feature programmes including 10 Years Younger, Embarrassing Illnesses and How to Look Good Naked.
Colette started her career at BBC Birmingham, working on flagship programmes for BBC One and BBC Two including The Clothes Show, Tracks, (which launched the career of Ray Mears), The Chelsea Flower Show and Gardener’s World.
Julian Ware is the joint Creative Director for DSP working closely with top broadcasting commissioners in the UK, US and around the world. Credits include The Falling Man, Rome Wasn’t Built in Day, The Beckoning Silence; Blitz: London’s Firestorm.
Julian joined DSP in 2004 as Head of Special Projects and was appointed as Creative Director in 2011. Previously he was Director of Programmes at ITN Factual.
Ben Bowie is the joint Creative Director for DSP working closely with top broadcasting commissioners in the UK, US and around the world. Credits include Into the Universe with Stephen Hawking; Seconds From Disaster; I Shouldn’t Be Alive.
Ben joined DSP in 2001 as a producer becoming Executive Producer in 2005. He was appointed as Creative Director in 2011.
Ulla Streib manages DSP’s output. Her expertise is in achieving maximum onscreen value and efficient delivery. Ulla joined DSP in 1997 as part of the production team. She became Head of Production in 1998 and Head of Operations in 2002 and was made Director of Operations in 2011. Prior to DSP, Ulla was Staff Production Manager in charge of TV Production at Uden Associates.
Jo McGrath, Head of Factual and Features, Tiger Aspect
Prior to her move to Tiger Aspect, McGrath was Head of Daytime and Features at Channel 4, where she was responsible for commissioning a number of enduring Channel 4 classic brands including, A Place In The Sun and 10 Years Younger. Since her arrival at Tiger Aspect in 2004 McGrath has created a number of hit formats including, three series of Diet Doctors for FIVE (accompanied by two books) and the popular Cook Yourself Thin for Channel 4 which also became a best selling book and one of the Channel’s most successful on-line brands. A second Cook Yourself Thin book was published in January 2009. The Cook Yourself Thin format has also recently been acquired by Lifetime in the US and 20 episodes are currently in production with a TX scheduled for spring 2009.
McGrath’s remit is to focus on winning returning formatted series with domestic and international appeal.
Also joining us on Tuesday are Nick Mather, Head of Entertainment for Endemol, Nick Metcalfe, Executive Producer from Darlow Smithson, Jo Kay, Production Exec for Comedy, Kitty Walshe, Series Producer for Fact Ent and Features at Endemol, Maria Keaveney, Tiger Aspect’s HR Manager, Nicky Hughes, Head of Research and Development for Endemol, Cat Lynch and PM Sarah Holt, from Endemol Development, Tom Blakeson, LE and Entertainment, JohnPaul Chapple, Consultant Producer at Endemol, Catherine Welton, Executive Producer for Specialist Factual at Endemol, and Annette Clarke, Executive Producer, Remarkable.
To send your CV in to take part in this event please read the info on the watercooler at www.mediaparents.co.uk
I’m delighted to announce our next event –Endemol meets Media Parents.
This is an exclusive opportunity for Media Parents subscribers to meet Creative Heads, Executive Producers and Talent Managers from Endemol, Darlow Smithson, Initial, Remarkable, Tiger Aspect and Zeppotron on Tuesday October 11th in West London. If you work in Kids, Features and Factual Entertainment, Light Entertainment, Comedy, Drama, Reality or Specialist Factual then Endemol would like to meet you…
Interested?
There are 50 places available for Media Parents talent to meet Endemol Execs both in an informal networking session and a timed appointment set-up on the evening which will run from 6pm to 8pm on October 11th.
What next?
If you would like to attend this event you’ll need to email your CV and covering letter for selection. Your email should be titled with your full name, job title and the genre you work in. Please send to the address on the Media Parents watercooler ASAP.
This event is for subscribers to www.mediaparents.co.uk and Endemol are kindly covering the cost of administration of this event. Endemol are inviting experienced talent from across the board to come and meet them – PMs, PDs, directors, SPs, execs, production execs, EPs, APs, co-ordinators, – so please do send a CV marked with your full name, job title and genre to take part in this great event.
Media Parents thanks Endemol for their support for this event – www.mediaparents.co.uk – yeah!
Tom Lown is a composer, producer and Dad of Felix (2) and bump (due Nov) in the TALENT section of www.mediaparents.co.uk. When his ‘composer’ hat is on he writes music for TV and commercials and when his ‘deep house producer’ hat is on he releases his tracks through labels such as Lost My Dog, Sudup Recordings, KAPA Music, Warmth and 3am Recordings.
This summer sees 3 different EP’s on 3 different labels all see the light of day as they’re released over a period of 3 months. Early August, his Cloud Surfer EP was released and featured 3 original tracks and included 2 remixes by New York producers Woo Hoo and Gaby Dershwin. Late August his track ‘The Short Straw’ will be included on a 5 track label compilation on Lost My Dog Records which has already been played on Ministry of Sound and Proton Radio. And in October, Tom will release his debut EP on 3am Recordings which will include remixes by Mark Jones and Jota Wagner. This has also already had some airplay on the House Sound of Hamburg Radio.
Tom will be DJ’ing @ ‘UptownBoogieDown’ at Fluid (next door to Fabric) on September 30th. If you’d like to get tickets for the reduced price of £6 please add yourself to the Media Parents guestlist on the watercooler at www.mediaparents.co.uk
All these releases mentioned can be previewed here: http://goo.gl/eto5I
Recent guest mix Tom recorded for the Lost My Dog Podcast: http://tinyurl.com/4xscc65
Tom’s music for TV can be previewed here: www.tomlown.com” and Tom’s profile is at www.mediaparents.co.uk in the TALENT section.
Gladys San Juan is in the TALENT section of www.mediaparents.co.uk Here she writes about the making of her latest short film, and invites you to the screening on Sunday 18th September.
I do get apprehensive when making short films these days and honestly, it’s about the immense work that goes into planning one – with what money? And, we may wonder, for what reason? Well, short films are a great way to learn what goes into making movies. Call it a taster teaser if you like for the bigger ones. They still cost money and no one out there will give you the money so you got to put it out there yourself or find some good collaborators that will contribute. People will have to believe in your project.
The production work is equally as hard. I’ve worked on over a dozen short films and I have met a lot of nice people who cared enough to get their dreams made on their credit cards and then send it off to festivals hopeful of recognition.
One interesting short film which I had a lot of fun working on as a Co-Producer and Script Supervisor (two roles I’ll never do at the same time again) will be screened YAY! this Sunday the 18th at the Curzon in Soho from 11am to midday. The short film is called ‘SWOOSH!’ and it’s about a group of nerdy bogus super heroes who are in a self help group trying to find their way.
The film was written and directed by Sabina Sattar an industry professional for over 15 years. The film was made on a good budget with a great team of collaborators. So, if you fancy coming out this Sunday into London consider yourself invited to this screening at the SOHO Curzon and lets have a chat afterwards about the making of a short film on a shoe string budget. Anyone can do it and it could be loads of fun! Who knows you might hire us to make your next film? ; )
Gladys’s career her own words:
My versatile career background ranges from Museum Studies, Social Research, Teaching to Office/Project Management to currently Film Production which I enjoy.
I am currently available to work as a freelance Script Supervisor and ideally I am looking to work with a production company in it’s development development. I’d like to know more about commission and sales.
I’m fluent in Italian and Spanish which can help when working on co – productions.
Media Parents would like to thank Chris Hutchins and Helen Hagelthorn from BBC Bristol for both meeting talent and hosting this event, Kath Moore from Tigress, Mark Hill and Jane Lomas from RDF West, Julia Waring from RDF Television in London, Angela Oakhill, Steve Rankin and Lucy Carter from Diverse West, Harry Marshall from Icon Films, Ali Bradburn from Parthenon Entertainment, Bernard Walton from Aqua Vita Films, Richard Higgs from Big Squid, Kaia Rose from World of Arthur Cox, Maggie Walsh for hosting the event on behalf of Media Parents, and all of those Media Parents members who came along and made or remade connections – it was great to hear from RDF West that within days of the event they had taken on someone from Media Parents. Please enjoy the photos below, and for more information on the companies involved see https://blog.mediaparents.co.uk/2011/06/media-parents-networking-bristol/ Media Parents will soon be organising an event in London which gives Media Parents members the chance to meet companies under the Endemol umbrella.