Edinburgh TV Festival was 72 hours not to be forgotten, with so many broadcasting bosses and talent under one roof, it was going to be a thought-provoking few days writes Media Parents Back to Work Winner, Casting Producer, Joanna Gretton. Joanna was kindly sponsored at Edinburgh by Raw TV.

Returning Casting Producer Joanna Gretton, right, with two of the five Media Parents Back to Work Scheme Winners

My bags were packed, I waved farewell to the kids and embarked on a journey into the unknown – the 44^th Edinburgh TV Festival.  I felt excited if not slightly daunted about whether the industry had changed, there were questions that I wondered whether I’d find the answer to. Which production companies be open to part time casting producer job share roles?  Who would I be able to secure meetings with and was I going to make meaningful connections to follow up?

I was instantly reassured. On arrival I had a warm welcome from Sarah Murch, MD of the award winning regional Indie, Blakeway North, a long-time Media Parents supporter. Encouraging me to get in contact with my CV, she said she would be happy to share her London factual contacts book.  It felt like I was moving in the right direction.

Memorable moments were meeting Oscar winner Simon Chinn, producer of ‘Untouchable’, a film about Harvey Weinstein, and Dan Reed Director of ‘Leaving Neverland’.  The first lecture I attended, “Making of a Mega Doc”  was a lively discussion on the impact of Netflix and the competition it had created.

Joanna Gretton (left) with Simon Chinn, Dan Reed and returning PD Laura Martin-Robinson

Dorothy Byrne, Head of News and Current Affairs at CH4 brought the house down delivering her hugely insightful MacTaggart Lecture.  I implore you to watch it back on You Tube.   Speaking out she used the lecture to brandish our politicians for being liars.

Thanks must go to Pat Younge, MD at Sugar Films, who was warm and encouraging.  As a boss he said that Indies now wanted to employ people who had come back after a career break as they were keen to have a ‘safe pair of hands’ on board, someone who could get the job done. I felt reassured that my 15 years of telly experience was going to count and put me back on the career path I once adored.

Another hot bed for discussion was during the Steve Hewlett Debate:  Duty of Care. Many questions were asked about who has responsibility when the cameras stop filming? There was a strong panel line up, including amongst others the reality TV star Jeff Brazier. It was an eye opener to hear his first hand experiences.  The new incoming OFCOM rules proposed to protect vulnerable TV participants meant that it could reduce diversity on screen, saying “A Jade would never be given that opportunity again”. It made me realise that as a programme maker, one should always care deeply about people voices being heard, but raised the question of how does one protect the contributors after the show has TX’d (e.g. on social media). This this was a conversation that did not have a clear answer.

I can honestly say that my first experience of the Festival has certainly given me an insight back into the telly world, thank you to Raw for sponsoring me on this insightful journey via the Media Parents Back to Work Scheme.  For me, it has opened up the world of TV again – there are P/T casting producer job-share roles, I just need to look for them, and having met a jobshare partner via the Media Parents Job Share event there is nothing holding me back. The networking circuit at the Festival also presented me with many opportunities to meet the right people and I will be following up in coming weeks and months. I would also be keen to hear from other potential casting job share partners.

Joanna Gretton in the crowd at Media Parents Job Share Event, sponsored by West Digital

https://www.mediaparents.co.uk/freelancers/11382/joanna-gretton

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“We need to do much better at keeping women in the work place.” Dorothy Byrne’s words at the Edinburgh TV Festival sum up my experiences exactly, writes Media Parents Back to Work Scheme winner, returning Director Candida Scott Knight.

Returning Scripted Director Candida Scott Knight at Ed TV Fest with Sugar Films MD Pat Younge

After a ten-year break to raise a family and live overseas, over the past two years I’ve been working my way back to directing. As Byrne highlighted in her MacTaggart Lecture, doing better at keeping women in the workplace needs to be inclusive of course, not just when children come along, but “when the menopause does, too.” She made us laugh, but it was serious, calling us to account on many levels, and it was perfectly timed, as an introduction to the festival on this scheme.

Three days of panel discussions, talks and events, during the Fringe, the main themes were, accountability, care, inclusivity and diversity. It was political, funny at times, with plenty of opportunity to meet others and network, even in the queue for the Ladies.

PACT Chief John McVay with the Media Parents Back to Work Scheme Winners at Ed TV Fest

One of the people I talked with was John McVay, CEO of Pact who confirmed “you bring more quality to the party now”, highlighting a problem in the industry that programme makers can be risk-averse. He recommended specific people who aren’t. Pat Younge at Sugar Films, suggested drama reconstruction in docs as a way in.

Louis Theroux discussed duty of care filming those with mental health, along with his “discomfort” at the way Jimmy Saville addressed paedophile rumours. Jerry Springer spoke of how “we’re all the same, we just look different” and need to get rid of this notion of the white middle class running TV. Equal Writes touched on the lack of confidence women can feel, begging the question of whether this is part of the gender equality issue. They asked “do agents need to be braver at signing up more female or BAME talent?” Yes! Saskia Schuster at ITV spoke of her 50:50 writer’s initiative. Talking to her after, it’s great to hear female directors are next up.

Masterclasses, on Capture, with director Ben Chanan and team discussed the extensive research done for this surveillance thriller. Top Boy, discussed mentoring initiatives across the board with half the actors, cast off the street, and if making programmes about drug and gang culture, glamourises it or lets us understand the extent of the problem.

All speakers were exposing something, reiterating Byrne’s “widespread disillusion” that is felt across the industry and beyond. But are people ready to each take responsibility to make the changes needed?

Candida Scott Knight with fellow Media Parents Back to Work Scheme Winner Joanna Gretton at The Farm BBQ Ed TV Fest

Being a part of the festival has reminded me of the talent and many years of experience I have. I felt included and seen and am walking away with a clearer view of the path back into TV, with plenty to follow up on. Perhaps most importantly, I’ve come away with more confidence and the knowing that there are many genuine people in the industry able and willing to support me, and others like me, to get back into doing what we love, and contributing to the industry.

https://www.mediaparents.co.uk/freelancers/14731/candida-scott-knight

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When I returned to work from maternity leave in February earlier this year, I’d been left with a bitter taste from the industry I’d been in since University, as I’d felt pushed aside whilst unsuccessfully trying to find work at 6 months pregnant writes JPM Jess Farrow (nee Garland). I was ready to make a break from TV and forge a new career in Events.

Congratulation to JPM Jess Farrow who will be mentored by Hat Trick on the Media Parents Back to Work Scheme

I found a nice 3 day-a-week job organising training courses, and eased myself out of the fog and into working life. At first I loved the simplicity of the job, I didn’t have emails on my phone, no one called me on weekends, what bliss! I weighed this up against the fact that the role wasn’t very stimulating and it seemed like a viable trade-off.

I had a break from the job over Easter and saw an old colleague post on Facebook that she was looking for someone to do post paperwork on a couple of Channel 4 docs, the kind of stuff that was my bread and butter as a co-ord. I asked her if this could be done part time and she was thrilled to welcome me on board. I had a lovely 4 weeks’ stint at Flicker Productions and got a little reminder of why had loved TV I the first instance. I tapped into knowledge I had acquired in my career and felt truly valuable. I got to work with lovely people and watch some brilliant documentaries. When I returned to the events role I had the undeniable feeling of total and utter boredom!

I left the events job at the beginning of June and have been trying to pick up my career in TV since then. Post Production seems to be the only area that can offer the flexibility of part time work and even going up to 4 days a week I have been unable to find a JPM role (my last position before going on mat leave was as a JPM).

I am terrified that my career will be dead in the water if all I have achieved in my year back at work is a few short coordinator contracts. This sounds less like a summary and more like a moan but I can promise you I am really good at my job. I have a great CV and lots of references willing to sing my praises, which is why I find it so frustrating to be in this position. I will use the scheme to make contacts and find flexible work and shout from the roof tops about it when I get it!

https://www.mediaparents.co.uk/freelancers/14788/jessica-farrow

If you are a TV returner, join Jess Garland and our other Back to Work Scheme Winners at Media Parents Back to Work drinks in September, see our watercooler at www.mediaparents.com for details.

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My first job was as an art department assistant on a drama and then as work experience at TFI Friday writes returning PC and Media Parents Back to Work Scheme Winner Kirsti Davidson.

Media Parents Back to Work Scheme Winner Kirsti Davidson will be mentored by Raw TV

I managed to get a job at Television Centre Studios where I had the opportunity to work on a number of productions and in a variety of positions from Production Secretary, Production Coordinator and Assistant Producer in both Sport and Entertainment. I have experience of  live OBs, live studio, pre recorded studio shows and filming on location and worked on shows such as TFI Friday, Sports Personality, Grandstand, Sport Relief, Auntie’s Bloomers and Parkinson.

After 10 years, I I took a break to have a family. It was extremely difficult to get production work that fitted with family life, there was no such thing as flexible working or part time hours and I saw colleagues really struggling with employers and teams when they had to leave suddenly due to a child being poorly or picking up from nursery. It just looked so stressful, so after a few false starts I forged a new career as an illustrator where I could work from home – it was creative and I picked up some great transferable skills; including time management, adobe creative suite, patience, negotiation skills, being calm under deadline pressures and communication skills.

An illustration by Kirsti Davidson

Now my children are older and I am able to work longer hours and travel, I’d really like to work back in production again and be part of a team. Having been out of the industry for several years, I’m happy to work my way up from PC and am looking at courses to brush up on my production skills. I am grateful to Raw TV for the opportunity to be mentored by one of their team.

https://www.mediaparents.co.uk/freelancers/16237/kirsti-davidson

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We’re delighted to announce the Winners of this year’s Media Parents Back to Work Scheme, sponsored by Raw TV and Hat Trick Productions. Thank you to everyone who applied, it was an exceptional line-up this year and we look forward to having a drink with all applicants, sponsors, alumni and supporters at our Back to Work Drinks on September 25^th (see watercooler for details).

Media Parents Back to Work Scheme Winner Returning Director Candida Scott Knight waving (not drowning) in the crowd at Media Parents Summer Drinks

Something unusual happened this year, in that we opened up applications to people who were unable to attend the Edinburgh TV Festival as well as those that were. And our sponsors chose people who were not able to attend, in addition to people who could. For a company that promotes job sharing this is an ideal result, meaning we have five people on the scheme this year, from Wales and Brighton as well as London. Here they are – if you would like to meet Laura, Joanna and Candida at the festival please drop us a line via the site or @mediaparents on twitter.

JPM Jess Farrow (nee Garland), London mentored by Hat Trick Productions.

Congratulation to JPM Jess Farrow who will be mentored by Hat Trick. Cheers Jess!

JPM Jess Farrow returned from mat leave in Feb 2019 and felt pushed out of the industry because she could not find flexible work. She took a flexible job in events before picking up a flexible post PM contract. She is using the scheme and support from Hat Trick to try to find flexible PC or JPM work, and to try to retain her JPM status rather than seeing her career go backwards after having a child.

PC Kirsti Davidson, Brighton mentored by Raw TV.

PC Kirsti Davidson will be mentored by Raw TV

After 10 years in TV as an AP Kirsti took a break to have a family and subsequently found it was extremely difficult to get production work that fitted with family life. So after a few false starts she forged a new career as an illustrator where she could work from home. Now Kirsti’s children are older and she is able to work longer hours and travel, it’s become clear to her that illustration is more of a hobby than a career, and she misses working in production and being part of a team. After 12 years out Kirsti is planning to retrain and re-enter the industry as a Production Coordinator, supported by Raw TV.

PD Laura Martin-Robinson, Cardiff supported by Hat Trick Productions.

Cardiff PD Laura Martin-Robinson will be attending Edinburgh TV Festival

On the face of it Laura has it all – two BAFTAs and a great relationship with a production company ie ie productions (pronounced yeah yeah) that enables her to work flexibly. But she has three kids, and working part time on Welsh regional productions barely covers her childcare costs. She wants her career to be self-sufficient, full time and has network ambitions.

Director Candida Scott Knight, London supported by Media Parents

Returning Director Candida Scott Knight will be attending Edinburgh TV Festival alongside PD Laura Martin-Robinson and Casting Producer Joanna Gretton as part of the Media Parents Back to Work Scheme

Since working at Channel 4 and directing Hollyoaks, award-winning short film director Candida has raised a family and moved to L.A. and back. For the past two years she has been building her skills and her intention is to work her way back up to directing drama again.

Casting Producer Joanna Gretton, London supported by Raw TV

Joanna Gretton (right) with Amy Walker at Media Parents Summer Party 2017

Joanna has been working with Media Parents for three years, helping other talent find gigs and return to TV so now it’s her time. Prior to working for Media Parents Joanna was a PD, and caster on documentaries and cast celebrities for royal obituaries. Thanks to Media Parents Flexible Working Event Joanna has met one job share partner and is looking for more potential job shares as she makes her way back into part time work.

Huge thanks to Hat Trick and Raw for making the Media Parents Back to Work Scheme possible this year, and for the support from the TV Foundation, which runs The Edinburgh TV Festival. Thanks once again to everyone who applied – if you didn’t win a place this time don’t give up – TV needs you. Join us at our Back to Work Drinks on September 25th at ENVY, see the watercooler for details.

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With my work experience as a director in drama on short films, Hollyoaks and a further 7 years directing shorter form, after raising a family and living overseas, returning to the UK, I’m absolutely ready to re-start my career in TV again writes Returning Director Candida Scott-Knight. Candida will be attending Edinburgh TV Festival this week as part of the Media Parents Back to Work Scheme, supported by Media Parents.

Returning Director Candida Scott Knight will be attending Edinburgh TV Festival alongside PD Laura Martin-Robinson and Casting Producer Joanna Gretton as part of the Media Parents Back to Work Scheme

Returning Director Candida Scott Knight waving (not drowning) in the crowd at Media Parents Summer Drinks

I realise I may not be be handed the keys to direct immediately, although like learning to ride a bicycle I’m ready and know how to. So whilst I work towards directing, I’m open to looking at all positions and transferring my directing skills to other jobs within the industry so I can step back to full time work again and bring all of me to it.

https://www.mediaparents.co.uk/freelancers/14731/candida-scott-knight

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I am attending Edinburgh TV Festival as part of the Media Parents Back to Work Scheme this year writes Casting Producer Joanna Gretton.

Joanna Gretton (right) with Amy Walker at Media Parents Summer Party 2017. Joanna will be attending EdTVFest with Cardiff PD Laura Martin-Robinson and Director Candida Scott Knight

Before leaving TV production to explore other avenues when my children were at nursery, I worked as a PD, AP and Casting Producer and casting is my chosen route to return. I love people and real human stories, my most recent credits were for documentaries and casting celebrity interviewees for royal obituaries. I’ve experienced human stories from a different perspective over the last three years in the course of my work for Media Parents, both as a Talent Manager and in supporting returners back to work. Now my children are both at school I want to bring these stories to screen again.

I know I need to refresh my skills – I’ve seen that companies sometimes ask casters to use premiere pro these days, so I’m going to look into that. I’ll also refresh my camera skills and I can teach myself how to cast on Skype. I’m very excited at the prospect of returning and bringing back my voice to TV.

Joanna Gretton (in red) at the Media Parents Job Share Event at West Digital in July

I don’t think I realised I could do casting as a job share until recently, and, thanks to the Media Parents Job Share event at West Digital  in July,  I’ve found one potential partner and am on the look-out for more potential job shares. I’ve started to approach companies to find out which are sympathetic to job share and I’m excited at the prospect – start with the companies listed on Media Parents if you are trying to work out which are supportive of flexible working.

For practical reasons I’m starting with the companies that are geographically close to where I live to make my commute and the school run easier. Get in touch if you want to job share, or watch this space to see how I get on. https://www.mediaparents.co.uk/freelancers/11382/joanna-gretton

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It’s always been my dream to direct documentaries writes Media Parents Back to Work Scheme Winner Laura Martin-Robinson. I spent my 20s throwing myself into the world of work – researching at the BBC and making independent docs on the side. I got a job working on Louis Theroux’s San Quentin doc and my first film was selected for Britdoc and Birds Eye View. It was amazing and I felt I’d landed.

Cardiff PD Laura Martin-Robinson will be attending Edinburgh TV Festival through the Media Parents Back to Work Scheme

My 30s were spent figuring out how to make films, have kids and do it from Wales. Over the past 8 years I’ve had 3 children and 3 maternity breaks. I’ve continued working in between – but always part time. I’ve also had caring responsibilities for my brother, dad and mum. This stretched me emotionally, financially and physically. In an industry where confidence is key it took time for me to find my voice.

I began directing but it’s been a challenge. Being a mum and out of London has added an extra dimension of feeling cut off from the TV community and commissioners.

Having been at companies that weren’t on board with flexible working I now work with a Welsh production company ie ie (yeah yeah) productions. It’s a truly flexible company that is making it its mission to support women and underrepresented voices in film and TV.

Last year's Media Parents Back to Work Scheme winners at Edinburgh TV Festival

I’ve made films that have done well in Wales (I won 2 BAFTA Cymru awards) and that I’m proud of, but with the kinds of projects I’ve chosen (long term on a part time basis) I’ve barely covered child-care costs.

I’m now ready to step up a gear and go back to consistent work, build my networks and develop my craft as a director. https://www.mediaparents.co.uk/freelancers/9887/laura-martin-robinson

https://www.mediaparents.co.uk/freelancers/9887/laura-martin-robinson

**Experienced SP seeks telly husband/wife for job-share adventures a-plenty!**

Series Producer Karen Richardson at Media Parents Job Share Event

Actually, like a real floozy, writes Series Producer Karen Richardson, I seek as many job share partners as possible. Since discussing job share at the Media Parents Job Share event recently, it’s becoming clear that job-share partnerships can chop and change from one contract to the next depending on the nature of the job; the dates and general life events!  So, the more the merrier I say! If you’re interested in applying for the Media Parents Back to Work Scheme as a jobshare then please contact me through Media Parents too – applications close on Saturday 10th August.

The concept of job-sharing has been an epiphany for me!  It’s the only feasible way for me to do the job I love.   The role of Series Producer is intense so knowing that your job-share buddy is working when you are not (and vice versa) just fills me with utter joy!  It’s fair to say that I have become quite zealous about the idea of job-sharing as a way of staying in a senior role at a time in life when full-time roles are difficult either because of caring responsibilities or because you have other interests which you wish to dedicate time to and which make you a well-rounded, interesting human!

If the Political Editors of The Guardian; the CEOs of the Judicial Studies Board and the Head of Media & Campaigns at Macmillan Cancer Trust, the Series Editors on Unreported World – to name but a few – can job share successfully, in some case for decades, then it sure as hell can be done more in the world of TV.  One just needs a “can do” attitude.  And let’s be honest, if you’ve carved out a successful career in TV then you’ll have that in bucket loads anyway.

SP Karen Richardson in the crowd at Media Parents Job Share Event, sponsored by West Digital

For more job-sharing zealotry you can follow me @tellymumma an account I created to chart my return to the world of TV and the joy of the job-share and to up-skill my incredibly basic understanding of social media!

My skills as a Series Producer are, I promise, far more adept.  I’m an experienced Features, Fact Ent and Popular Factual SP returning to production after a 4-year maternity break and available to work from mid/end October.

I’ve a lot of experience in competition formats and tackling all the compliance and legal issues these generate and have SP’d several first series including The Great Pottery Throw Down for BBC2 and One Born: What Happened Next for More4 – the two series of which I am proudest.

Apply for the Media Parents Back to Work Scheme by August 10th, and join us for Media Parents Back to Work Drinks in September

Pottery was a behemoth of a series and at its peak we had a team of close to 80 on set and in the edits.  One Born on the other hand was a team of 6, with two newbie Shooting PD’s who had never cut an hour show in the edit before.  Completely different series to make but both encapsulate everything I love about TV – the stories of ordinary peoples’ extraordinary lives told with fondness, compassion, humour, warmth, curiosity and honesty.   Be it baking, pottery, property or parenting, I want to know everything about the world we’re entering and the people whose stories we’re telling.  This means I always ensure that my team and myself get out to meet and speak with people as early as possible at the start of a production since I believe this is how the best stories are found and the best TV is made.

Over the past couple of months I’ve spent a lot of time getting back in touch with all my old contacts – and making new ones – as I spread the word about returning to SP’ing in a job-share capacity.  This means I now have lots of people – genuinely interested in the idea of job-sharing SP’s – to e-mail for work once I’ve found my job-share partner.

Inspired by the Media Parents Job Share event, there is a small, but steadily growing WhatsApp group of SPs interested in job-sharing (several of us, myself included, are happy to consider Edit Producer roles to fill gaps in-between SP gigs) so – if you like what you’ve read – please get in touch with me via Media Parents.

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