Media Parents

Posts categorised as: How To

5 minutes crunching some TV numbers

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It’s been an intense couple of months looking for work. So I rejoined Media Parents to attend last week’s January networking event, and to apply for jobs. I’ve had work through Media Parents in the past, and been to their networking events before, so despite the state of the industry, I felt confident I would feel welcomed rather than competed with, and would enjoy myself. At the event we introduced ourselves by name and job title around the room and I found myself listing a long list of potential job titles to a round of applause.

We all introduced ourselves to the floor at Media Parents January networking. It's really helpful for everyone to know who's who

At Thursday’s event Amy explained that freelancers applying for roles through Media Parents will be in a group of up to 10 applicants. Many jobs are exclusive, but where they are listed elsewhere, employers say they look at Media Parents applicants first. How do they know? Application mails via the site are branded. Why do they like it? Media Parents is the only selective jobsite, requiring freelancers (not just restricted to parents) to have at least three years TV experience before joining. So much less sifting for hiring companies. From attending the event I can vouch that most people have much more experience than three years. So Media Parents is win, win for freelancers and hirers.

Media Parents Jan Drinks provided a great opportunity to meet or reconnect with companies like Strawberry Blond

I just want to say thank you so much for the networking evening and for the work that you do at Media Parents. I am so glad I made the journey. I am just reaching out to the people I met there. I’d say that I picked up contacts from 30% of the people in the room, including some employers I would love to work with.

I did some more stats for myself which I found interesting and really clear. I thought I would share them with you. I usually go from job to job without too much of a gap. Or have done for many years.

Researcher Hannah Bairsto, seen here with HOP Tina Lohmann, said it was the best networking event she had attended because it was friendly and relevant

Here are my stats as a freelancer of 23 years in two months of job searching, December 2024 to Jan 2025, prior to joining Media Parents:

****Job applications: 24 – for PD/SD across ob doc/fact ent/talent led genres.

Average number of applicants: 200 – 300 for every job (guestimate from the large numbers of applicants per job on the large jobsite I’ve previously been applying through + assuming they are not exclusive to that site).

Number of interviews – 3 (12.5 % hit rate)

Number of jobs got: 1 and it has been delayed until end of 2025.

***Number of speculative reach outs to talent managers / people I don’t know - 20

Number of emails back – 5

Expressions of interest for future work – 5

****Number of existing contacts with actual real work on the horizon who would earmark me – 1

*** number of my industry contacts who have called me saying do I want work? – 0

This element has been wiped out and was always there before. Although it formed 40% only of my work contracts.

For more info about Media Parents January Drinks scroll down this blog

Reason for these stats: My contacts are not in work, or have left the industry, or have many mouths to feed in terms of who they are hiring. I understand many jobs are not advertised (as backed up by yesterday’s Media Parents email and ring round) – but, I agree with Talented People’s Industry Health Check that broadcaster and streamer-approved candidates are going from one job to the next. If the same people are working on what is being commissioned then like any eco system it will start to fail or massively diminish and no longer flourish. Even the bits that are left.

Prognosis:  Doing what I did before is unlikely to find me work on the basis of these stats. Hence joining Media Parents to increase my reach and opportunities.

Actions:

  • Apply for jobs on a platform with a great reputation / less competition
  • Meet new people and build new relationships (watch out for Media Parents next event which will be online on Feb 19th)
  • Write for this blog which has a reach on social and direct mail of 35K people in TV. I’ve made this post anonymous as I feel it’s a bit contentious, but I will be writing, I will

Our next event is on Feb 19th, see mailing list for more details. Scroll down the blog for more info www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. For free events for subscribers, join here:https://www.mediaparents.co.uk/signup/?t=freelancer

February 7, 2025 @ 2:02 pm Posted in Events, Freelancer Profiles, How To, TV Returners Comments Off

Media Parents January Drinks

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Media Parents was delighted to hold January Drinks on Thursday 30th Jan, hosted by Film + TV Charity in their glorious Central London building. The wine sponsors for this event were https://storytailors.tv/ – thank you!

Heads of Production from Raw Cut and Strawberry Blond, Tina Lohmann and Jess Hamilton meeting Media Parents freelancers in the crowd

What happens at Media Parents drinks? There’s no agenda! We are keen to get TV companies, freelancers and organisations in a room to catch up. If it’s your first time at an event we make an effort to meet you, and introduce you to other people who could be useful to you to know. If it’s not your first time at a Media Parents event, we are pretty confident you loved it the first time!

PD Sam Lang with Comedy Producer Anna Coane

Curve Media's Head of Production Ruth Cody and Exec Claire Simpson worked the room

Story Films Production Exec Donna Blackburn introduced the company's slate, with StoryTailors' Martin McAleese, Curve Media's Claire Simpson, EdTVFest's Dulcie Bushill and freelancers looking on

Strawberry Blond MD Steve Wynne made it back from Leeds

PM Amy Swan successfully navigated a career move from editorial into PMing global series, seen catching up here with Media Parents Line Producers Flo Crum and Katy Southwood

New contacts made and swapped between PD Kasia Uscinska and Editor Liz Convey

Film + TV Charity Community Development Manager Lucy Maxwell introduced the space, counselling and financial support that is offered, see below...

January Guest List

Donna Blackburn

Tina Lohmann

Kate Maddigan

Line Producer

Head of Production

Head of Studios

Story Films

Rawcut

Renowned Films

Steve Wynne MD Strawberry Blond
Jess Hamilton HOP Strawberry Blond
Claire Simpson Exec Curve Media
Hilary Platt

Olivia Evans

Zara McFadden

Ops & Finance Director

Development Producer

Talent Manager

ITN

ITN

ITN

Martin McAleese Head of Production Partnerships StoryTailors
Dulcie Bushell Programmes Producer EdTVFestival
Alon Ziv Creative Director / Exec Nola Creative / Lion TV
Ruth Cody HOP Curve Media
Amy Walker Director Media Parents
Stephanie Weit Managing Partner StoryTailors
Katherine Bovey Development Executive ITN
Katie McAfee Talent Executive Tinopolis
Lucy Maxwell Community Development Manager Film+TV Charity
Matt Holden SP Little Bird
Ros Attille Head of Children’s and Young Audiences Big Fish, Little Fish

(log in to click through on profile links)

Michele Kimber: PM

Read Michele’s latest blog

https://www.mediaparents.co.uk/freelancers/18138/michele-kimber

Anna Coane: SP / S Edit Producer

Read Anna’s latest blog

https://www.mediaparents.co.uk/freelancers/2251/anna-coane

Anika Pilnei: EP / PD

Read Anika’s latest blog

https://www.mediaparents.co.uk/freelancers/18539/anika-pilnei

Daren Tiley: offline editor

Read Daren’s latest blog

https://www.mediaparents.co.uk/freelancers/9614/daren-tiley

Flo Crum : Production Exec

https://www.mediaparents.co.uk/freelancers/5245/floury-crum

Katy Southwood: Line Producer/Production Executive

https://www.mediaparents.co.uk/freelancers/18573/katy-southwood

Richard Hughes: Shooting PD and DOP

https://www.mediaparents.co.uk/freelancers/6200/richard-hughes

Tom Colvile: Shooting PD https://www.mediaparents.co.uk/freelancers/7749/tom-colvile

Anthony Willis: PD / Writer / Editor

Read Anthony’s latest blog

https://www.mediaparents.co.uk/freelancers/18343/anthony-willis

Claire McMahon Brown: Snr Producer / Edit Producer

https://www.mediaparents.co.uk/freelancers/15530/claire-mcmahon-brown

Jules Seymour: SP

https://www.mediaparents.co.uk/freelancers/126/jules-seymour

Kasia Uscinska: PD / Edit Producer https://www.mediaparents.co.uk/freelancers/1582/kasia-uscinska

Katie Rice: PD

https://www.mediaparents.co.uk/freelancers/10020/katie-rice

Liz Convey: returning offline editor

Stephen Mizelas: Director / SP

Sam Lang: PD https://www.mediaparents.co.uk/freelancers/917/samuel-lang

Matt Currington: S/PD

Avigail Cenci di Bello: Producer / Writer

Hannah Bairsto: Researcher

Gaby Koppel: SP

Tom Ranson: Director

Quinton Smith: Editor

Barney Snow: S/PD

Janet Awe: Development/ Producer

The Film and TV Charity supports everyone working behind the scenes in film, TV, and cinema, including full-time staff, freelancers, writers, production teams, and more. It offers a 24/7 confidential support line, legal and financial guidance, Stop-Gap Grants, a Bullying Advice Service, and free counselling. The Charity is also working to change the culture of our industry,  providing resources like the Whole Picture Toolkit for mentally health productions, financial guidance and wellbeing advice, as well as promoting equity and inclusion across the industry. For more information, visit its website or call 0800 054 0000. You can also sign up for its monthly newsletter for updates on services, events, and opportunities. Every day at Storytailors is a thrilling ride—we’ve set up Keanu Reeves to race through the Slovenian countryside, transformed a Romanian salt mine into a playground for MrBeast, and ensured Ford’s latest EV glides effortlessly through Bhutan for Amazon Prime. With a network of over 1,500 vetted media professionals across 150+ countries, we deliver everything from full production to local access, film permits, crew hire, and logistics for entertainment, documentaries, and drama. Our clients include leading indies like the BBC, Plimsoll, Nutopia, and Box To Box, as well as major streamers like Netflix and Disney. https://storytailors.tv/work-with-us/

No photos of Media Parents' Amy Walker this time so here is one from Media Parents Auntumn Drinks

At Media Parents we’ll do anything we can to help TV  freelancers work, and TV companies find great freelancers. Join us! Message via our contact button for returns for this event.

Scroll down the blog for more info www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. For free events for subscribers, join here: https://www.mediaparents.co.uk/signup/?t=freelancer

January 26, 2025 @ 9:38 pm Posted in Events, How To Comments Off

Event: Ace Your Job Applications with Media Parents

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Back to School comes with its added pressure of Back to Work for some of us, writes Media Parents Head of Talent Amy Walker. Media Parents is offering subscribers brilliant free coaching workshops, online and in person, to make sure your online applications hit the spot. Participants are a mix of freelancers looking to improve their applications and returners working on their application tactics for relaunch. It’s always a friendly and supportive group online and in person.

Join Media Parents for jobs, masterclasses and networking

Join us on Friday September 20th at 10:00 for a cracking overview session : Ace Your Applications – and get (back to) work. The 45 minute online / in person event will be led by Media Parents’ Amy Walker. The session will be followed at 11:00am by a second online / in person event focusing on TV CVs. This small interactive event has big ambitions to help you navigate best practice in TV CVs and gives us the chance to workshop. Led by Media Parents Head of Talent Amy Walker it is one in a series of events giving an overview of TV applications – cover letter, CV wins, Zoom presenting and interview tips – so you nail the opportunities that are out there.

Amy Walker leads Media Parents freelancers in an Ace Your Job Application Masterclass online

To find out more and sign up to sessions go here. All sessions are free to Media Parents subscribers – if you are not yet a subscriber go here to subscribe, or message us here for more information.

Friday Oct 11th Event

Click here for a ticket to Ace Your Applications General Event 10am Friday 11th Oct

https://www.eventbrite.com/e/1014480196577

Click here for a ticket to Interviews and Networking Masterclass Friday 11th Oct 11am

https://www.eventbrite.co.uk/e/interviews-and-networking-friday-11th-oct-ace-your-job-application-tickets-1014508651687 As this session is also about job interviews please bring a list of questions you anticipate at a job interview.

If you would like to join Amy Walker in person for this final training event, you can book a place at no extra cost in the gorgeous private room at renowned gastropub The Crown, Hastings. Taking a day out by the sea can be a great way to clear your mind and bring a fresh perspective to your career path. The food at The Crown is great so I highly recommend booking for lunch afterwards. Email for details.

Events are free to subscribers, informal and in a small group. You can join camera on or cam off and ask questions in the chat. If you are not a subscriber or you have questions in advance hit us up via the contact button on Media Parents website.

Keen beans can prep in advance for the event by reading and working with Media Parents CV blog with tips from loads of industry employers, and Amy Walker and TV friends’ cover letter tips.

If you’re looking for work at this point and some extra support would help see the links below for the Film + TV Charity’s FREE Counselling service. Having worked with and interviewed many returners I would urge you to talk through the barriers of getting back to work before your interviews, so these feelings have been aired and are not the focus of your interview conversation. This helpline from Film + TV Charity 0800 054 0000 is not The Samaritans – it’s for people who want to talk and offload the problems of TV, or not working in TV, yet. https://filmtvcharity.org.uk/get-support/get-help-now/

Media Parents Autumn Drinks in London Tuesday October 15th

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. Join our latest event on Friday 11th October from 10am til midday.

August 26, 2024 @ 9:10 pm Posted in Events, How To, News, TV Returners, TV Training Comments Off

5 minutes with set photographer Samuel Dore

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My name is Samuel Dore and I’m a UK-based Unit Stills Photographer who’s worked on a range of TV dramas and feature films. I’ve often been asked by various production companies and publicists on how to work with me as I am Deaf / BSL (British Sign Language) so I made this little video below to explain how easy and straightforward it is.

Michael Sheen as photographed by Samuel Dore on the set of Best Interests. https://www.mediaparents.co.uk/freelancers/18241/samuel-dore

I want to try and encourage non-disabled people to see there are effective ways of working with Deaf and Disabled crew.
Please click to watch the Video – https://vimeo.com/953060055

kit connor and joe locke looking to the left in Heartstopper

Samuel Dore unit stills Heartstopper Kit Connor and Joe Locke


Blackwater Lane poster

https://www.mediaparents.co.uk/freelancers/18241/samuel-dore

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. We offer free CV advice for subscribers


August 13, 2024 @ 11:29 am Posted in Freelancer Profiles, How To, News, TV Training Comments Off

5 minutes with Offline Editor Daren Tiley on a fast turnaround doc

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When Offline Editor Daren Tiley hadn’t worked in a while, he chucked Easter under a bus and worked through it on a fast turnaround doc – in fact two in a row. So was it worth it?

Offline Editor Daren Tiley working on C5's fast turnaround doc Kate and the King https://www.mediaparents.co.uk/freelancers/9614/daren-tiley

I’ve worked on two fast turnaround docs commissioned by Federico Ruiz at channel 5 in the last month for Mentorn Media part of the Tinopolis group, writes Daren Tiley. “Wonka: The Scandal that Rocked Britain” and “Kate & The King: A Special Relationship”.

Both productions worked on an unusual fast turnaround of 11 days from production start to channel delivery with TX on Saturday night primetime viewing. So 12 days to TX for a 45 min Channel5 hour.

Production starts on a Tuesday, with interviews shot on Wednesday, Thursday, Friday and some at the weekend. Staggered edits start Friday to Wednesday through the weekend at MSV post in Hammersmith, with 5 editors and EPs working for 5 days to get to picture lock by end of day Wednesday. Each editor takes on a part each with the 5th editor cutting pre titles and any extra bits and bobs. I cut part 4 on both Wonka & Kate myself.

Then voiceover, dub, grade and online all on the same day for channel delivery on the Friday lunchtime for Saturday primetime TX. Phew!

Daren Tiley right and the fast turnaround production team at Mentorn Media

A great team of experienced editors and edit producers worked between 10 & 12 hours a day to make the shows. The calm and collected nature of SP Stuart Strickson on both productions meant a pleasant working experience. Tayte Simpson Execed Wonka and Nicolai Gentchev on Kate also perpetuated the calm.  When working at such speed for delivery you need a great unflappable team behind you.

These fast turnarounds are becoming more popular with Channel 5 commissioners these days and although I don’t think it’s great to see 11-day turnarounds as the norm, it is getting us telly folk back to work on some commissions at least. And the viewers are over all liking the speed of reacting to a breaking news story! Wonka pulled in an audience of 800k, peaking at nearly a million, and was the most watched programme of the day, as was Kate & The King.

Having had no work for the last 6 months it was nice to get five days on Wonka and four  days on Kate. To be back as a team all working together was helpful for my mental health as the last year or so has been and continues to be so hard for so many of us in the TV world! The pace and last-minute nature of this work isn’t sustainable on a single, TV income, so whilst I am grateful for it, I hope it’s replaced by programming that’s scheduled further in advance.

Daren Tiley is available for offline editing work either remotely or from London post houses. https://www.mediaparents.co.uk/freelancers/9614/daren-tiley

www.dtediting.com

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media.

April 11, 2024 @ 2:33 pm Posted in Freelancer Profiles, How To, News Comments Off

How to Ace an Online Interview with Zoe Russell-Stretten

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In order to maximise your opportunity in an online interview, make everything as easy as possible for a potentially tired, zoomed out, busy employer, writes Zoe Russell-Stretten, Head of Talent at Brinkworth. Ahead of Media Parents’ How to Ace a Job Interview Online workshop this Friday, Zoe has kindly shared some tips on online interviews.

Zoe Russell-Stretten from Brinkworth (left) at Media Parents CV Event in the days when we could all go out

We always interview people in pairs at Brinkworth, or even sometimes in threes. An interview with an AP or more junior will last approximately half an hour. Anyone more senior is typically an hour.

Tech:

Almost everyone uses either Zoom or Teams. If you don’t have a basic working knowledge of both, practise using the features before the interview. Always download the application prior to the interview, so you don’t waste the first ten minutes of precious time. It will work!

Maximise your broadband. There’s nothing more frustrating than a poor quality picture, one that is lagging, out of sync or other symptom of poor broadband. This is your first impression, and the interviewer should be able to both see and hear you in real time. Some people do genuinely suffer from poor broadband speeds, but often, this can be improved. Turn off the wifi on all of your other devices in the house; your mobile, other laptops, possibly your TV, an Alexa or Google hub. Beg or bribe other householders to withhold from using the internet for that one sacred hour. If an employer has to work extra hard to connect with you, it’s hard to make a good impression. Test this with a friend beforehand.

Audio. Again, do a test beforehand. Turn off radios. Shut windows. Explain to children, partners or housemates that there’s a lot of chocolate in this for them if they don’t make a noise for an hour. If your audio is unreliable, learn how to use the mute function. Mute yourself when you’re not speaking, to avoid the speaker getting feedback. To avoid most problems, it’s usually easier to use headphones.

Presentation:

Because we’re all at home now, you are technically inviting a prospective employer into your home. So take a look at what the employer can see. Laundry? Clutter all over the carpet? Questionable art on the wall? Something on the shelf (eg that BBC interview)? A lot of people have their home workstation set up in their bedroom. If all else fails, use a filter on your background but make it a professional looking one.

Even if your CV is brilliant, if your house presents as a mess, employers might be worried about entrusting a complex project to someone who can’t present a sense of order and calm. Unfortunately, first impressions really do count, and your home/environment says so much about you.

Also – unless absolutely necessary, avoid taking the call on your mobile. Wherever possible, use a static device. An hour of watching someone’s own shaky hand-cam is extremely draining (especially when you’re doing it hour after hour).

Lighting! We work in a visual industry. If you are anything above a researcher, you should be able to demonstrate that your mind considers things in a visual way. So make sure you’re not backlit, that your face can be seen clearly, and that again, the interviewer isn’t having to mentally work hard to piece together information about you because you’ve set up your interview poorly. It’s amazing the number of shooting PDs who interview for a job but fail to think about setting up the shot of their own face!

Framing. Test with a friend how your framing works. Set your monitor or laptop up so that it’s level with your face. So many people look down into their computer – and it gives the interviewer an excellent view up your nose.  Also, learn how far back you should be to your screen – another frustration is people who sit too close and you are left interviewing their forehead, or just the top half of their face. It’s just extra mental work for the interviewer, and in the TV industry, isn’t really a great first impression. Everyone should be able to frame a basic shot.

Our next event, How to Ace a Job Interview Online, is on Friday 3rd March, email via the contact button above for details

Personal Presentation:

Just because this is an interview taking place in your home, it doesn’t mean that you should dress like you’re at home. Think about how you personally present, and apply the same rules that you would if you were meeting in an office. Dress the part, secure your hair off your face, don’t wear dodgy slogan clothing or something that a child or pet has just been sick upon.

A note about make up – depending upon your camera – some more modern cameras allow a lot of detail. So it can mean a little less is more. One of the strange things about online interviews is you can literally see yourself and how you come across, and if you have any insecurities about your appearance, this can be really distracting. You want to be able to stay confident and focused on what you’re saying. Both Zoom and Teams have filters that allow you to optimise your image (not cat filters, just gentle improvements). If you’re feeling a bit less confident in your appearance (as so many of us do right now!), then these filters are well worth knowing about as they can give just a little boost of self-confidence and stop people from focusing too much on their own face.

Prep:

Now that we are all stuck at home, but with tools to access all of the information on the planet literally sitting in our pockets, there’s just no excuse for not preparing for an interview. Watch. The. Employer’s. Output. This isn’t the early naughties – everything is available on demand, and if it’s not, it will be somewhere on YouTube or Vimeo or similar. Familiarise yourself with the style of programmes. It will empower you so much more in an interview, and there may be opportunities to demonstrate that you’re so invested in getting the job, that you’ve taken time out of your day to do this kind of research. It really really impresses. Every time.

Also – come prepared with questions. Thoughtful, editorially focused questions. Try to make sure they don’t sound critical of the employer or previous output. Practical, logistical and rate-related questions relating to the job itself can be dealt with post interview with either the TM or PM, so don’t waste this opportunity by asking ‘how much will I get paid’ at this juncture. Ask about editorial steer, tone, use of music, access, casting, overall production schedule etc… anything that shows that you’re thinking the way you would if you were already in the job. This is just another way to show that you care about getting the job.

Etiquette:

There may be some people on the call that don’t do much speaking. The people that don’t speak are doing a lot of thinking… and almost definitely they are there because their opinions about you impact on your ability to get the job. So don’t forget to acknowledge them or include them in your greeting, farewell, and of course – if the opportunity arises to reference something they may have said or be involved in. If you’re really at a loss, just use your eyeline to make sure you’re looking at everyone at different stages in the call. Most often, they can see that you’re doing this and that you’re being inclusive.  Regardless of your level of seniority, this portrays you as a respectful team member, and everyone wants that!

Back in the good old days of offices, this same rule applied. People who failed to acknowledge others in the meeting performed poorly, and were less likely to get the job as it was an indication as to how they perceived a) their own status and b) how they would behave on a team.

Some Positives:

Online interviews, and homeworking, are brilliant for opening up more opportunities to work. As a Talent Exec, I can now hire people based purely on their skills, without having to take their geographical locations into consideration. I can hire people who are juggling childcare, or other caring responsibilities – where previously more exceptions would have needed to have been made, these issues are no longer something to be ‘solved’ or agreed upon. People can work far more flexibly.

The same goes for access in general – for those with other access to work challenges. The removal of a commute to an office instantly broadens the talent pool in a positive and exciting way. We have always tried to make jobs as accessible as possible, but we are able to do so with far more ease and success now.

And finally…

Just a general note for interviews in any situation. Please don’t tell me that you’re great. Just be great. The individuals that are at great pains to describe themselves using the adjectives on their personal statements on their CV come across as insincere – and I sometimes suspect they are doing it out of nervousness. Try not to let nerves get in the way, but if they’re there, it’s much more acceptable to acknowledge those by saying ‘ah… it doesn’t matter how many years I’ve been in this job, I still get nervous in interviews!’. That shows you care. Going hard the other way to cover up your fears is off putting and makes it very hard for the interviewer to see through the self-advertising which can come over as egotistical.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk. Our latest event is on Friday 5th March

March 3, 2021 @ 3:49 pm Posted in Events, How To, TV Training Comments Off

8 tips for producing TV in lockdown from SP Gaby Koppel

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Media Parents Series Producer Gaby Koppel has made a series of Rip Off Britain during lockdown (to read more click here). Here are Gaby and her team’s tips for producing remotely.

SP Gaby Koppel, bottom left, at a Media Parents zoom session. Our next event, a CV Masterclass is on Friday 26th Feb, email via the contact button above for details

8 tips for producing TV remotely, by Gaby Koppel

  1. The daily Zoom team meeting is the most important moment of the day.  It’s your chance to see everybody, gauge the mood, make sure they are doing OK and do something about it if they aren’t.  If somebody’s not contributing much, maybe they are struggling.
  2. However important the Zoom meeting is, don’t let it drag on too long. Short and sharp is better.
  3. Don’t just talk about work – even if you are busy, find some space in the day to chat, use Whatsapp for some fun not just business.  Part of what helps to lighten the atmosphere in the office are conversations  about what was on telly last night and the all-important office gossip. Try to create some water cooler moments.
  4. It’s toughest for the juniors and newbies, and we needed to work hard to keep their spirits up. When I was new in the industry I learnt by osmosis from overhearing more senior people speaking on the phone or between each other.   You can never replicate that, so make sure that somebody on the team is keeping a careful eye on them.
  5. Home schooling: I could see what a struggle it was for parents with school age children. They’d apologise about have to take time out in the middle of the day, and you could tell from the time stamp on their emails that they were making it up at silly o’clock.  Huge credit to them for their dedication to both family and work.
  6. You can produce remotely at a pinch, but edit producing is a whole other ball game.  It meant that instead of watching a cut with an editor you’d have to wait for them to send over the whole thing when it would have been so much faster to whizz through a cut side by side to make sure all changes had been applied before it was due to go to an exec.  It wasn’t possible to spin through archive quickly, or to riffle through a selection of music options – often they’d be laid in and sent over before you had a chance to say ‘Nah.’  There are technical solutions on stream now but we worked without them for most of the year.  In future I’d say to maximise the gains from a remote edit you need to spend money on any technical solution available from day one.  They say if all else fails, try Zoom on the editor’s phone, though I didn’t have to resort to that myself.
  7. The changing rules of lockdown could feel like standing on quicksand – you are having to react more like a daily production than one which is produced over five months.  When that happens and you are changing key bits of commentary or  even coming up with new films at short notice it’s best if you can enjoy the ride and relish the taste of adrenaline.
  8. And finally, on a personal note you need to get out of the house at least once a day or you will go mad. I started running every morning – something I hadn’t done for years.

Gaby Koppel is available now as Series Producer/ Edit Producer:

https://www.mediaparents.co.uk/freelancers/314/gaby-koppel

Series Producer Gaby Koppel remotely surveys her Pop Up Shop team in Manchester

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk. Our latest event is a CV masterclass on Feb 26th

February 24, 2021 @ 12:54 pm Posted in How To, News Comments Off

Event: How to Ace A Job Interview Online

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Face any online interview fearlessly with Media Parents Director Amy Walker’s TV industry tips at Media Parents’ February event.

Get Prepared, Feel Confident. See the Media Parents watercooler for tickets. (Photo: Clare Lawrence http://www.loveseen.co.uk/)

Join us from 12 – 1pm on Friday 12th February 2021 for an interactive online workshop: How to Ace A Job Interview Online. Sign up for your ticket via the Media Parents watercooler or non-members click here to email us for details.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk

February 7, 2021 @ 6:32 pm Posted in Events, How To, TV Training Comments Off

5 minutes with Jonathan Richardson User Researcher

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I drifted into user research from my media work, writes Media Parents’ Jonathan Richardson. Back in the day of BBC iPlayer’s launch I gathered feedback and worked with the development team to prioritise improvements and test new ideas.

Since then I’ve been working on a range of websites and services to uncover audience insights. While I’ve mainly worked in government and academia, I’m looking to pivot back to focus on media organisations. There’s a clear opportunity for organisations to get into user research to understand their audiences.

User research is a mix of roles: combine journalism with anthropology, academic research and a lot of project management. And it makes for a highly interesting job.

I ensure that organisations understand their audiences by creating research to understand user motivation and behaviour. Once we have a good working knowledge I then lead teams to create new designs to determine if these improve the user experience.

This can be making a website be clearer and flow better. For example, so students find the right course for them. Or I map out journeys and processes to understand where the pain points and opportunities are.

My work has mainly been remote based, even before lockdown. I can spend most of my day interviewing people then documenting and analysing it. Interviews can be like therapy to some as I listen to them vent or talk their troubles out. My journalism background definitely helps with interviewing.

User Researcher Jonathan Richardson https://www.mediaparents.co.uk/collaborator/16592/jonathan-richardson

I also combine my freelance work with my own start-up plans for a remote writers’ room using Agile project management methods. I’ve been running this for the past year and we recently completed our goal of having a proof-of-concept that shows the process works.

I’m fortunate in that my wife was taking 2020 as maternity leave for our daughter so we haven’t had fights over who got to use the home office. Our son started school in September and we’re thankful that he’s enjoying it and is back with friends.

The amount of work has reduced slightly since Covid but there’s still plenty of demand. I use any free time to work on my own projects and train others in user research.

So if you’re looking to find out more about working in Agile and user research, or want to let me know about problems in your organisation, do get in touch. Likewise connect if you want to find out more about the remote writers room.

Get in touch here or via Media Parents https://www.mediaparents.co.uk/collaborator/16592/jonathan-richardson

December 9, 2020 @ 12:19 pm Posted in Freelancer Profiles, How To Comments Off

Channel 4 legal How not to get Sued

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SOLD OUT: Join us for a spot of networking and to hear Channel 4’s Rowena Cordrey and Fiona McAllister deliver their hour long ‘Ultimate Legal & Compliance Masterclass’ for Media Parents on Tuesday 21st July. 4′s legal team will be helping you to navigate the tricky world of legal and compliance and giving you their dos and don’ts for staying on the right side of the law.

Join Media Parents for Channel 4's How Not to Get Sued session, see link below for zoom details

Rowena Cordrey

Ro is a Senior Lawyer in Channel 4’s Legal & Compliance team, which is renowned for its enabling advice as part of the Channel’s unique risk-taking remit.  She provides legal, compliance and ethical advice on all aspects of television programming – broadcast and online – before and after broadcast, including its promotion and marketing.

Ro trained and then qualified as a media law solicitor at Farrer & Co in 2009, principally advising tabloid newspaper clients as well as magazines and regional publishers.  She worked for the BBC in their Litigation team before first joining Channel 4 for just over 4 years.  Ro was Deputy Head of Compliance at ITN (which produces the news for Channel 4, ITV and Channel 5) working across news and on a number of high-profile undercover investigations, including the award-winning Cambridge Analytica (C4 News) and ‘Gay Conversion’ Therapy (ITV News) investigations.  Ro then worked at Viacom before returning to Channel 4 this year.

Fiona McAllister

Fiona is an experienced media lawyer currently advising production companies and Channel 4 both pre and post-publication on legal, regulatory compliance and ethical issues which arise in the making and broadcast of programmes, online content and marketing campaigns on all Channel 4 platforms. Fiona focuses on all content-related matters, including defamation, privacy, contempt and fairness issues.

Prior to joining Channel 4 she spent around 12 years in private practice – based at leading media firm, Simkins LLP, generally advising Claimants (individual and companies) on media related issues and acting against the media. Prior to that Fiona was with a Scottish firm, Burness Paull LLP where she advised BBC Scotland and regularly provided programme legal advice on all aspects of media law affecting BBC output. She is dual qualified and admitted to practise in England & Wales as well as Scotland.

Amy Walker

Amy will be hosting the Channel 4 session on behalf of Media Parenst. She champions diverse creative talent, and set up Media Parents ten years ago to facilitate that. She is a factual TV Series Producer and Talent Exec and has just completed a 2-year EMBA sponsored by Channel 4. Her most recent series for Channel 4 was BAFTA-nominated. She lives in Hastings. https://www.mediaparents.co.uk/

This event is now SOLD OUT. To support Media Parents and join our future events please join us here.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk

July 16, 2020 @ 4:04 pm Posted in Events, How To, News, TV Training Comments Off