Media Parents

Posts categorised as: Events

Say Hello to Tinopolis Talent Exec Katie McAfee

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Tinopolis talent exec Katie McAfee won our hearts at Media Parents Autumn Drinks! First by being there and being fun, meeting people irl and via our zoom link up – and secondly by offering this brilliant December CV Surgery!

Katie McAfee zooms with remote Media Parents members at our Autumn Drinks. Get your CV in front of her this December

Twelve lucky Media Parents members will have the chance to send in their CVs to Katie via Media Parents by the end of November. Then on December 5th Katie will offer each person five minutes of tailored advice on zoom. If you would like to take up this amazing offer please join Media Parents and see the watercooler for event details. Sign up quick!

tinopolis

Katie McAfee the Talent Exec for Tinopolis Factual which includes the production companies Mentorn Media, Firecracker Films and Pioneer Productions – all making content across the factual spectrum for UK and US broadcasters. Some of our productions include:

Traffic Cops, Inside the Force, Question Time, Emma Willis Delivering Babies, Stacey Dooley Sleeps Over, Open House the Great Sex Experiment, Mother Undercover, Gold: a journey with Idris Elba….

To find out more about the event and book in, see the watercooler at https://www.mediaparents.co.uk/

Our next event is on Dec 5th, scroll down the blog for more info www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. For free events for subscribers go here: https://blog.mediaparents.co.uk

November 15, 2024 @ 5:43 pm Posted in Events, TV Training Comments Off

Christmas Drinks for Freelancers with TV Mindset

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ALT TEXT: Flyer with Christmas tree, deer and candy canes advertising Freelancers Christmas Drinks on Weds 4th December from 6pm til late at The Miller, Snowsfields, London SE1. Turn up early if you want a free drink!

November 6, 2024 @ 2:26 pm Posted in Events Comments Off

Media Parents Autumn Drinks Gallery

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Thank you so much to everyone who joined us for Media Parents Autumn Drinks – we had a great time! Freelancers met with hirers including ITN, All3Media, Dragonfly, Yes Yes Media both in the room and live from the event on zoom. We were so well looked after by the ClearCut Pictures team led by Rowan Bray and Phil Knowles – thank you! Watch this space for more, join us at Media Parents to join in!

Join us inside... Media Parents for networking, jobs, training and community https://www.mediaparents.co.uk

Big Fish Little Fish Head of Children's and Young Audiences Ros Attille has a serious discussion about fashion with the ClearCut team. Richard studies the floor

Dragonfly's Head of Talent Gayl Paterson chats with freelance PD Tom Colvile

“Thank you for a lovely evening!” Jo, Exec Producer

Freelancers Mav Brown PM and Tom Colvile, with Story Films' LP Donna Blackburn

All3Media's Annie Conlon, centre, and PM Michele Smith left.

“Glad it was fun,  it felt very retro to be meeting in person!   I think it was a mixture of reassuring those who are looking for work and networking for those in work, seemed a really positive event.” Rowan, ClearCut Pictures

Producer Katie Flamman with Offline Editor Daren Tiley, very pleased to be back on the blog after all this time. Editor Liz Convey behind

PD Lorraine Molloy, left, made it all the way from Cornwall. PD Heidi Perry with ClearCut MD Rowan Bray. Thank you so much for lovely hosting

“Thanks for a brilliant meet up last night, it was really nice to catch up with some familiar faces, and meet some new ones too. And it was so nice of Clear Cut to host again.” Anna, Producer / SP

Huge thanks to Offline Editor Alex Kirkland who hosted a simultaneous zoom from the event, joined by freelancers and companies

Tinopolis' Katie McAfee was no sooner through the door than she was zooming - thank you Katie

It was great to have you around and I’m glad everyone enjoyed themselves. Was good to see everyone get over the initial awkwardness and socialise.” Phil, ClearCut Pictures

Director of Production Sarah Buckenham from Yes Yes Media meets with a returning freelancer

Thank you Zara McFadden ITN for making everyone laugh on zoom

“Great to meet the other night. Really good event and good energy in the room!” Jim, SP

I love this pic of Producer Julie Dawson-Wills

Box to Box's LP Emily Freshwater and Scripted PM Richard Godfrey had a laugh with the zoom attendees

This is just a quick note to how much I enjoyed yesterday evening’s Autumn Drinks at ClearCut Bloomsbury. Thank you for arranging the evening and making sure that I was meeting other invitees that might be relevant to my career.” Richard, PM

“A quick thank you for organising the event last night. It was great (and a bit strange) to be among so many people. And thanks also for all you’re doing to support everyone just now.” Tom, SP

Media Parents' Amy Walker with returner Steph Carpanini - thank you Jo Woolf for the photo!

A good time was had by all. It can be a lot to get to an in person event after working remotely, or looking for work for a while. The energy in the room was great, and the garden was good to escape to too!

“Thank you so much for organising such a lovely event last night. It was so nice to meet yourself and so many others in real life!

Thanks also very much to Clearcut for hosting – and I’m so sorry that we outstayed our welcome! How did it get to 9pm so quickly?!” PD, Eliza

Spot the back of Little Bird TV SP / Exec Matt Holden. Thanks Jules Seymour for the photo

Yes Yes Media's HOP Sarah Buckenham with Lucy Maxwell, Community Development Manager from Film + TV Charity. FTVC have available funding for freelancers who need stopgap help to pay rent and bills, and also have free available counselling support for freelancers - get in touch with FTVC to find out more

Thank you so much to everyone who joined us for Media Parents Autumn Drinks – we had a great time! Freelancers met with hirers including ITN, All3Media, Dragonfly, Yes Yes Media both in the room and live from the event on zoom. We were so well looked after by the ClearCut Pictures team led by Rowan Bray and Phil Knowles – thank you! Watch this space for more, join us at Media Parents to join in!

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in TV

October 18, 2024 @ 5:35 pm Posted in Events, News, TV Returners Comments Off

Event: Ace Your Job Applications with Media Parents

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Back to School comes with its added pressure of Back to Work for some of us, writes Media Parents Head of Talent Amy Walker. Media Parents is offering subscribers brilliant free coaching workshops, online and in person, to make sure your online applications hit the spot. Participants are a mix of freelancers looking to improve their applications and returners working on their application tactics for relaunch. It’s always a friendly and supportive group online and in person.

Join Media Parents for jobs, masterclasses and networking

Join us on Friday September 20th at 10:00 for a cracking overview session : Ace Your Applications – and get (back to) work. The 45 minute online / in person event will be led by Media Parents’ Amy Walker. The session will be followed at 11:00am by a second online / in person event focusing on TV CVs. This small interactive event has big ambitions to help you navigate best practice in TV CVs and gives us the chance to workshop. Led by Media Parents Head of Talent Amy Walker it is one in a series of events giving an overview of TV applications – cover letter, CV wins, Zoom presenting and interview tips – so you nail the opportunities that are out there.

Amy Walker leads Media Parents freelancers in an Ace Your Job Application Masterclass online

To find out more and sign up to sessions go here. All sessions are free to Media Parents subscribers – if you are not yet a subscriber go here to subscribe, or message us here for more information.

Friday Oct 11th Event

Click here for a ticket to Ace Your Applications General Event 10am Friday 11th Oct

https://www.eventbrite.com/e/1014480196577

Click here for a ticket to Interviews and Networking Masterclass Friday 11th Oct 11am

https://www.eventbrite.co.uk/e/interviews-and-networking-friday-11th-oct-ace-your-job-application-tickets-1014508651687 As this session is also about job interviews please bring a list of questions you anticipate at a job interview.

If you would like to join Amy Walker in person for this final training event, you can book a place at no extra cost in the gorgeous private room at renowned gastropub The Crown, Hastings. Taking a day out by the sea can be a great way to clear your mind and bring a fresh perspective to your career path. The food at The Crown is great so I highly recommend booking for lunch afterwards. Email for details.

Events are free to subscribers, informal and in a small group. You can join camera on or cam off and ask questions in the chat. If you are not a subscriber or you have questions in advance hit us up via the contact button on Media Parents website.

Keen beans can prep in advance for the event by reading and working with Media Parents CV blog with tips from loads of industry employers, and Amy Walker and TV friends’ cover letter tips.

If you’re looking for work at this point and some extra support would help see the links below for the Film + TV Charity’s FREE Counselling service. Having worked with and interviewed many returners I would urge you to talk through the barriers of getting back to work before your interviews, so these feelings have been aired and are not the focus of your interview conversation. This helpline from Film + TV Charity 0800 054 0000 is not The Samaritans – it’s for people who want to talk and offload the problems of TV, or not working in TV, yet. https://filmtvcharity.org.uk/get-support/get-help-now/

Media Parents Autumn Drinks in London Tuesday October 15th

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs in media. Join our latest event on Friday 11th October from 10am til midday.

August 26, 2024 @ 9:10 pm Posted in Events, How To, News, TV Returners, TV Training Comments Off

EVENT – TV to Corporate: Is it for Me?

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Telemetry Media’s Matt Ralph in conversation with TV Switch Up about leaving TV for corporate work. Matt kindly got in touch to suggest sharing his experience with freelancers and to say thanks to Media Parents for helping him relaunch in TV when he returned to the UK from Australia. Our pleasure, thanks for paying it forward!

Matt Ralph from Telemetry Media

Matt’s creative career began in television production in the late 1990s. Since then, he has had the opportunity to develop, write, produce, shoot, direct and edit programmes and series, for international broadcasters, including the BBC and the Discovery Channel.

A founding member of the senior management team at the UK’s multi award-winning digital channel, BBC Three, Matt specialised in multi-platform content strategy working closely with social, marketing, production, development and channel scheduling teams to ensure maximum audience engagement.
Matt joined Anglo American in March 2020 from Brunswick Creative, where he worked on client accounts ranging from Nokia to HSBC. Matt lives in South-West London with his wife, two daughters and a Sprocker-poo called Monty, he is an Australian dual citizen and holds a First-class honours degree in Fine Art Sculpture.

How can I present my CV and skills? How can I get connected? Is it a one way street?

SWITCHING UP YOUR CAREER – WITH MATT RALPH
Thursday 11th April 2024 – 6pm
**Transitioning from Long Form to Short Form Filmmaking: Navigating Corporate Opportunities**
In this session, Matt will be sharing insights gained from his extensive background in television spanning from 1998 to 2015. He will delve into his journey of transitioning from long-form content creation to the dynamic world of short-form filmmaking, including experiences with branded content and projects for BBC Three.
He will also discuss the pivotal moment when he made the shift into corporate filmmaking and how he secured his first break in the industry. He’ll explore the nuances between working on the agency side versus the client side, uncovering key differences and insights to navigate both landscapes successfully.
Throughout the webinar, Matt will be providing practical tips and tricks, accompanied by slides, to empower you in your own transition and help you thrive in the corporate filmmaking realm. Get ready to embark on an insightful journey as we navigate the exciting opportunities and challenges of transitioning from long form to short form filmmaking in the corporate world.
Matt’s creative career began in television production in the late 1990′s. Since then, he has had the opportunity to develop, write, produce, shoot, direct and edit programmes and series, for international broadcasters, including the BBC and the Discovery Channel.
A founding member of the senior management team at the UK’s multi award-winning digital channel, BBC Three, Matt specialised in multi-platform content strategy working closely with social, marketing, production, development and channel scheduling teams to ensure maximum audience engagement.
Time: Apr 11, 2024 06:00 PM London
Join Zoom Meeting

By TV Switch Up – A Telly Mums Group

www.mediaparents.co.uk - the jobs and social networking site for short term, part time, job share and regular hours jobs.

March 21, 2024 @ 3:09 pm Posted in Events, News, TV Training Comments Off

July Event: Arrow Media x media parents Online Networking

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Arrow Media x Media Parents Production Networking
Thursday July 14th 12 – 1:30pm online

Carrie Pennifer meets Media Parents Archivist Tracey Li at Media Parents previous networking

Arrow Media is partnering with Media Parents to meet PRODUCTION TALENT ONLINE on Thursday 14th July from Midday – please come.

If you are a Production Manager, PC, Production Exec or Line Producer in unscripted, available now, soon, or just keen to meet the Arrow team, please RSVP to events@mediaparents.com with your CV and availability by July 13th, the sooner the better, and we will send you zoom details.

Please title your email Arrow Media Parents Networking.

The Arrow team is keen to support flexible working and jobshare on their productions, so this is a great opportunity to discuss that and meet the team including Heads of Production Carrie Pennifer and Stephanie Mavropoulos, Head of Talent Julia Hardwell, Talent Coordinator Emily Charalambides, and Media Parents’ Amy Walker.

Arrow Media's Joint Head of Production Carrie Pennifer

Carrie Pennifer, Head of Production

Carrie joined Arrow in 2012 as Production Manager on the Discovery series Ultimate Warfare. She went on to manage numerous successful series and one-offs including three seasons of the global hit observational documentary Ultimate Airport Dubai for National Geographic before being made Production Executive in 2016.

During her near decade at Arrow, she has worked across Arrow Media and Arrow Picture’s entire slate of projects overseeing up to 70 hours in production simultaneously as well as those in development. These have been for all the major international broadcasters and include such iconic projects as Animal Fight Night, America in Color, See No Evil, Extreme Rescues, Speed, 9/11: Escape from the Towers and I, Sniper. In the run up to being made Co-Head of Production, Carrie has seen several projects successfully through the Pandemic. These include Arrow Media’s Shark Week documentary Rogue Tiger Shark: Hunt for Lagertha; and, for Arrow Pictures, the landmark feature documentary Generation 9/11 and Sky’s upcoming series on HIV/AIDS in Britain, Positive.

Arrow Media's joint Head of Production Stephanie Mavropoulos

Stephanie Mavropoulos, Head of Production

Stephanie Mavropoulos joined Arrow when it was formed by Tom Brisley, Iain Pelling and John Smithson in 2011, and has led its production teams for over a decade. Stephanie leads a project from commission to delivery, ensuring budgets are met while supporting the high editorial ambitions of the company.

She pioneered the production style that delivers returnable high-volume hits like the 20-parters of American MonsterSee No Evil and Body Cam. Stephanie works across Arrow’s flagship feature length crime series, Mind of a Monster and is responsible for their new 3 x60 mini-series brands. She has also worked on notable series including two-hour event doc Live From Space for Channel 4 and National Geographic; and BBC2 and Smithsonian co-production 747: The Plane That Changed The World. In 2020 she was the Co-Producer for Arrow Media’s Emmy-nominated theatrical release feature, Under The Wire.

Head of Talent Julia Hardwell

Julia Hardwell, Head of Talent

Julia started her TV career on Children’s classics such as Art AttackNewsround and Blue Peter. From Production Manager at the BBC, she moved into Talent Management at ITV and then Studio Management where she oversaw studio facilities for shiny floor live and pre-recorded productions such as Later with Jools HollandTake Me Out and Catchphrase. In 2019, Julia joined Arrow as Talent Manager, working closely with Talent Consultant Dawn Beresford  across all aspects of recruitment, training and development. Recently armed with her CIPD HR qualification, Julia aspires to support all levels of talent with their career development at Arrow.

Talent Coordinator Emily Charalambides

Emily Charalambides, Talent Coordinator

Emily began her career in Television for the business news channel, CNBC Africa in South Africa.  The experience fuelled her desire to continue within the TV world and she made her move to London to expand her skillset.  She landed in Specialist Factual/Factual, starting out as an Executive Assistant before moving over to Production. She has experience working on flagship returning formats such as BBC2, Inside the Factory and BAFTA nominated, C4’s The Dog House.  Armed with transferable production skills, she recently joined Arrow International Media as Talent Coordinator and assists the Head of Talent, Julia Hardwell with recruitment across all roles.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk.

July 6, 2022 @ 6:33 pm Posted in Events, News Comments Off

Happy International Women’s Day 2022

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Happy International Women’s Day from us all at Media Parents. And huge congratulations to all the filmmakers whose work was screened at yesterday’s Hastings Women’s Film Festival. You can download the Hastings Women’s Film Festival Programme 2022 here, and the filmmakers’ bios and film links. Festival attendees also enjoyed an inspiring and entertaining Q&A session from SISTER CCO Jane Featherstone, chaired by Media Parents Director Amy Walker.

Hastings Women's Film Festival with Clare Holman, centre, and Jane Featherstone, far left.

Actor / Director / Writer Clare Holman‘s film Only the Lonely won this year’s Best in Show prize at HWFF. The film, directed by Clare Holman and written by Veronique Christie and Elaine Spires, is set in London and follows Anna Calder-Marshall as Elspeth, a woman on a journey of self-awareness and discovery. Hearty congratulations Clare, and great to see connections being made via Media Parents re further projects.

Anna Calder-Marshall in Director Clare Holman's film Only The Lonely. The film won Hastings Women's Film Festival Prize 2022

Director / DOP Diana Olifirova‘s film Quadrality was also given special mention by HWFF speaker Jane Featherstone, CCO SISTER, for its artistry and composition.

Ukrainian Director/ DOP Diana Olifirova's film Quadrality opened the programme at HWFF

And Michaela Hennessy-Vass‘s Face It: Leonie, also made in lockdown via a BBC/ Arts Council/ Culture in Quarantine bursary, was also singled out for praise.

Crystal Marshall in Michaela Hennessy-Vass's Face It: Leonie

Each of the filmmakers received a prize for entry courtesy of the generosity of Waitrose in Hawkhurst. Many thanks to Kino-Teatr for hosting the event. Happy International Women’s Day 2022.

Media Parents is running an online networking event with Naked, part of Fremantle as our next event. Watch our blog for details. Join us for Media Parents events, jobs and training at www.mediaparents.co.uk.

March 8, 2022 @ 8:12 pm Posted in Events, News Comments Off

How to Ace an Online Interview with Zoe Russell-Stretten

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In order to maximise your opportunity in an online interview, make everything as easy as possible for a potentially tired, zoomed out, busy employer, writes Zoe Russell-Stretten, Head of Talent at Brinkworth. Ahead of Media Parents’ How to Ace a Job Interview Online workshop this Friday, Zoe has kindly shared some tips on online interviews.

Zoe Russell-Stretten from Brinkworth (left) at Media Parents CV Event in the days when we could all go out

We always interview people in pairs at Brinkworth, or even sometimes in threes. An interview with an AP or more junior will last approximately half an hour. Anyone more senior is typically an hour.

Tech:

Almost everyone uses either Zoom or Teams. If you don’t have a basic working knowledge of both, practise using the features before the interview. Always download the application prior to the interview, so you don’t waste the first ten minutes of precious time. It will work!

Maximise your broadband. There’s nothing more frustrating than a poor quality picture, one that is lagging, out of sync or other symptom of poor broadband. This is your first impression, and the interviewer should be able to both see and hear you in real time. Some people do genuinely suffer from poor broadband speeds, but often, this can be improved. Turn off the wifi on all of your other devices in the house; your mobile, other laptops, possibly your TV, an Alexa or Google hub. Beg or bribe other householders to withhold from using the internet for that one sacred hour. If an employer has to work extra hard to connect with you, it’s hard to make a good impression. Test this with a friend beforehand.

Audio. Again, do a test beforehand. Turn off radios. Shut windows. Explain to children, partners or housemates that there’s a lot of chocolate in this for them if they don’t make a noise for an hour. If your audio is unreliable, learn how to use the mute function. Mute yourself when you’re not speaking, to avoid the speaker getting feedback. To avoid most problems, it’s usually easier to use headphones.

Presentation:

Because we’re all at home now, you are technically inviting a prospective employer into your home. So take a look at what the employer can see. Laundry? Clutter all over the carpet? Questionable art on the wall? Something on the shelf (eg that BBC interview)? A lot of people have their home workstation set up in their bedroom. If all else fails, use a filter on your background but make it a professional looking one.

Even if your CV is brilliant, if your house presents as a mess, employers might be worried about entrusting a complex project to someone who can’t present a sense of order and calm. Unfortunately, first impressions really do count, and your home/environment says so much about you.

Also – unless absolutely necessary, avoid taking the call on your mobile. Wherever possible, use a static device. An hour of watching someone’s own shaky hand-cam is extremely draining (especially when you’re doing it hour after hour).

Lighting! We work in a visual industry. If you are anything above a researcher, you should be able to demonstrate that your mind considers things in a visual way. So make sure you’re not backlit, that your face can be seen clearly, and that again, the interviewer isn’t having to mentally work hard to piece together information about you because you’ve set up your interview poorly. It’s amazing the number of shooting PDs who interview for a job but fail to think about setting up the shot of their own face!

Framing. Test with a friend how your framing works. Set your monitor or laptop up so that it’s level with your face. So many people look down into their computer – and it gives the interviewer an excellent view up your nose.  Also, learn how far back you should be to your screen – another frustration is people who sit too close and you are left interviewing their forehead, or just the top half of their face. It’s just extra mental work for the interviewer, and in the TV industry, isn’t really a great first impression. Everyone should be able to frame a basic shot.

Our next event, How to Ace a Job Interview Online, is on Friday 3rd March, email via the contact button above for details

Personal Presentation:

Just because this is an interview taking place in your home, it doesn’t mean that you should dress like you’re at home. Think about how you personally present, and apply the same rules that you would if you were meeting in an office. Dress the part, secure your hair off your face, don’t wear dodgy slogan clothing or something that a child or pet has just been sick upon.

A note about make up – depending upon your camera – some more modern cameras allow a lot of detail. So it can mean a little less is more. One of the strange things about online interviews is you can literally see yourself and how you come across, and if you have any insecurities about your appearance, this can be really distracting. You want to be able to stay confident and focused on what you’re saying. Both Zoom and Teams have filters that allow you to optimise your image (not cat filters, just gentle improvements). If you’re feeling a bit less confident in your appearance (as so many of us do right now!), then these filters are well worth knowing about as they can give just a little boost of self-confidence and stop people from focusing too much on their own face.

Prep:

Now that we are all stuck at home, but with tools to access all of the information on the planet literally sitting in our pockets, there’s just no excuse for not preparing for an interview. Watch. The. Employer’s. Output. This isn’t the early naughties – everything is available on demand, and if it’s not, it will be somewhere on YouTube or Vimeo or similar. Familiarise yourself with the style of programmes. It will empower you so much more in an interview, and there may be opportunities to demonstrate that you’re so invested in getting the job, that you’ve taken time out of your day to do this kind of research. It really really impresses. Every time.

Also – come prepared with questions. Thoughtful, editorially focused questions. Try to make sure they don’t sound critical of the employer or previous output. Practical, logistical and rate-related questions relating to the job itself can be dealt with post interview with either the TM or PM, so don’t waste this opportunity by asking ‘how much will I get paid’ at this juncture. Ask about editorial steer, tone, use of music, access, casting, overall production schedule etc… anything that shows that you’re thinking the way you would if you were already in the job. This is just another way to show that you care about getting the job.

Etiquette:

There may be some people on the call that don’t do much speaking. The people that don’t speak are doing a lot of thinking… and almost definitely they are there because their opinions about you impact on your ability to get the job. So don’t forget to acknowledge them or include them in your greeting, farewell, and of course – if the opportunity arises to reference something they may have said or be involved in. If you’re really at a loss, just use your eyeline to make sure you’re looking at everyone at different stages in the call. Most often, they can see that you’re doing this and that you’re being inclusive.  Regardless of your level of seniority, this portrays you as a respectful team member, and everyone wants that!

Back in the good old days of offices, this same rule applied. People who failed to acknowledge others in the meeting performed poorly, and were less likely to get the job as it was an indication as to how they perceived a) their own status and b) how they would behave on a team.

Some Positives:

Online interviews, and homeworking, are brilliant for opening up more opportunities to work. As a Talent Exec, I can now hire people based purely on their skills, without having to take their geographical locations into consideration. I can hire people who are juggling childcare, or other caring responsibilities – where previously more exceptions would have needed to have been made, these issues are no longer something to be ‘solved’ or agreed upon. People can work far more flexibly.

The same goes for access in general – for those with other access to work challenges. The removal of a commute to an office instantly broadens the talent pool in a positive and exciting way. We have always tried to make jobs as accessible as possible, but we are able to do so with far more ease and success now.

And finally…

Just a general note for interviews in any situation. Please don’t tell me that you’re great. Just be great. The individuals that are at great pains to describe themselves using the adjectives on their personal statements on their CV come across as insincere – and I sometimes suspect they are doing it out of nervousness. Try not to let nerves get in the way, but if they’re there, it’s much more acceptable to acknowledge those by saying ‘ah… it doesn’t matter how many years I’ve been in this job, I still get nervous in interviews!’. That shows you care. Going hard the other way to cover up your fears is off putting and makes it very hard for the interviewer to see through the self-advertising which can come over as egotistical.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk. Our latest event is on Friday 5th March

March 3, 2021 @ 3:49 pm Posted in Events, How To, TV Training Comments Off

Event: How to Ace A Job Interview Online

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Face any online interview fearlessly with Media Parents Director Amy Walker’s TV industry tips at Media Parents’ February event.

Get Prepared, Feel Confident. See the Media Parents watercooler for tickets. (Photo: Clare Lawrence http://www.loveseen.co.uk/)

Join us from 12 – 1pm on Friday 12th February 2021 for an interactive online workshop: How to Ace A Job Interview Online. Sign up for your ticket via the Media Parents watercooler or non-members click here to email us for details.

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk

February 7, 2021 @ 6:32 pm Posted in Events, How To, TV Training Comments Off

5 minutes with Exec Producer Meriel Beale

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I would love to call on your help, writes Exec Producer Meriel Beale.

I’ve recently become the Anti Bullying and Harassment officer for Bectu Unscripted. I’m putting together an awareness raising campaign for anti bullying week (16th November) and I’m asking for stories of bullying & harassment in the TV industry.

I have already been sent many stories, sadly, but it would be good to have some more.

If you have an experience that you would be happy to share, you can do so anonymously without identifying any parties, via the form below.

Your testimonies will form part of the campaign from Bectu and the Film & TV Charity under the hashtag #UnseenOnScreen, so you should be aware & happy that your anonymous experiences may appear on social media.

The idea is to show how many people are affected by bullying and harassment, and to reinforce that we are stronger together.

This is the first step in the campaign, more will be revealed to try to deal with this industry-wide issue.

I hope this is ok, many thanks for your help.
Meriel

https://docs.google.com/forms/d/e/1FAIpQLSfjVtiDlaE_uRbYe-P8VG7XX7w4LfEVnwT-KgvEpDWxpLf1Kw/viewform?fbclid=IwAR14VkUyuCBFibQkk-kEOZQuYZjw45b3tLMLgJ69kcLhUHnzkKqx-VxxjGo

https://www.mediaparents.co.uk/freelancers/10695/meriel-beale

Meriel Beale (centre)

Join us for Media Parents events, jobs and training at www.mediaparents.co.uk

November 13, 2020 @ 2:22 pm Posted in Events, News Comments Off